The upright bass player and composer Florent Ghys's impressionist take on jazz sounds as good burbling away in the background as it does when you're alone with it. Spare, stark, melodic, and full of odd angles, it feels like jazz that has been frozen into place and then broken into brittle shards.
By Seth Colter Walls on 10.28.14 in Features
John Luther Adams tells Seth Colter-Walls why he spent the premiere of his Pulitzer-winning work on an operating table.
By Britt Robson on 09.30.14 in Reviews
Become Ocean is both profound and easy to grasp. Composer John Luther Adams sets the premise: "Life on this earth first emerged from the sea. As the polar ice melts and sea level rises, we humans find ourselves facing th...
By John Schaefer on 04.29.14 in Reviews
Julia Wolfe's masterful meditation on the legend of John Henry was a finalist for the Pulitzer Prize in 2010, and it's not hard to see why. Written for the Bang On A Can All-Stars (Wolfe is a co-founder of Bang On A Can)...
By Jayson Greene on 03.30.14 in Features
The Wilco drummer talks about making the leap to composition.