You think you’ve heard it all — avant-skronk, corner-core, deli-wave, post-ozone. And then you hear Neal Morgan, drummer for Bill Callahan and Joanna Newsom, and start recalibrating your expectations. Morgan’s work could loosely be defined as “spoken word,” but it’s far removed from the cliche of the wild-eyed, bearded ragamuffin over-emoting at the local open mic night. Instead, his songs are more like chilling short stories in miniature, comprised mostly of sense imagery and filled with unlikely, surreal twists. That his songs are accompanied by nothing more than grim, insistent drumming just heightens the noir-ish mood.
By Robert Ham on 02.25.15 in Features
From Shania Twain to Patrick Wolf, these musicians couldn't leave well enough alone and rerecorded their work.
By Marc Hogan on 12.22.14 in Features
On albums as events, changing listening habits and Lana Del Rey
By Jayson Greene on 12.11.14 in News
Slim Twig's rich, twisted art-rock dances with a leer between gorgeous and hideous. Like St. Vincent, the Toronto native has a quizzical approach to rock songs, and a seemingly irresistible urge to pull at their ends to...
By Louis Pattison on 12.10.14 in Features
Jason Williamson of the Nottingham, U.K. duo talks success, swearing and working with The Prodigy.